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Four days into a 2002 Ansel Adams Gallery Death Valley workshop, our group made an early morning trek into the sand dunes northeast of Stovepipe Wells. The rising sun broke its eastern horizon on our way into the dunes and we were rewarded with no wind and and an exquisite stillness.

At first, I was taken with the curve of this dune, but the crisp light on some distant dunes distracted me, and I made a horizontal image. Nice, but not “it." I moved a bit to the right, and the curve of the foreground dune edge screamed out to me. I  turned the format to vertical and I knew I had it.

Mamiya RZ 6x7 negative. TMax 100

Silver gelatin print, signed and numbered in a limited edition of 100. Each print made personally by me, printed on Ilford Multigrade fiber paper. Selenium toned.

Open Edition Archival pigment print made personally by me on Canson Rag Photographique paper using a Canon Pro-1000 and my personal printing profiles. Actual image size approximately 8x10 inches, over-matted to 14x17. Digitally signed.