Four days into a 2002 Ansel Adams Gallery Death Valley workshop, our group made an early morning trek into the sand dunes northeast of Stovepipe Wells. The rising sun broke its eastern horizon on our way into the dunes and we were rewarded with no wind and and an exquisite stillness.
At first, I was taken with the curve of this dune, but the crisp light on some distant dunes distracted me, and I made a horizontal image. Nice, but not “it." I moved a bit to the right, and the curve of the foreground dune edge screamed out to me. I turned the format to vertical and I knew I had it.
Mamiya RZ 6x7 negative. TMax 100
General Edition and Sizing Information:
Limited Edition Prints signed and numbered in an edition of 100. Each print is made personally by me, printed either on Ilford Multigrade Classic fiber paper and selenium toned, or on Canson Platine paper using a Canon Pro-1000 printer and my personal printing profiles. Mounted and over-matted on 4-ply or 8-ply museum board using the most current industry standards for archival permanence. Note: Three images are in editions of 150.
Open Edition Archival Pigment Print made personally by me on Canson Rag Photographique paper using a Canon Pro-1000 printer and my personal printing profiles. Mounted and over-matted on 4-ply museum board using the most current industry standards for archival permanence. Digitally signed.
Sizing:
Open Edition Pigment Print – Image size approximately 8x10, over-matted to 14x17 with 4-ply museum board
11x14 Limited Edition Print – Image size approximately 9x11.5, over-matted to 16x20 with 4-ply museum board
16x20 Limited Edition Print – Image size approximately 14x18, over-matted to 22x28 with 4-ply museum board
20x24 Limited Edition Print – Image size approximately 18x22, over-matted to 26x32 with 4-ply museum board
24x30 Limited Edition Print – Image size approximately 22x28, over-matted to 32x40 with 8-ply museum board
30x40 and larger Limited Edition Print – Over-matted to 40x50 or larger with 8-ply museum board. Call for pricing.